1 | Der Freischütz, op. 77: Overture | 09:59 |
2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | 06:25 |
3 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | 11:10 |
4 | Symphony no. 5 in C minor, op. 67: III. Allegro | 05:45 |
5 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | 08:54 |
6 | A Midsummer Night's Dream, op. 21: Overture | 12:39 |
7 | Orchestral Suite no. 3, BWV 1068: II. Air | 05:07 |
8 | Rosamunde, D. 797: Entracte no. 3 | 05:16 |
9 | Rosamunde, D. 797: Ballet no. 2 | 05:15 |
1 | Lohengrin: Act I. Prelude | 09:45 |
2 | Tristan und Isolde: Act I. Prelude | 10:31 |
3 | Tristan und Isolde: Act III. Isoldes Liebestod | 06:33 |
4 | Rosamunde, D. 797: Overture | 09:53 |
5 | Till Eulenspiegels lustige Streiche, op. 28 | 15:00 |
6 | Till Eulenspiegels (Rehearsal) | 08:57 |
1 | The Hebrides, op. 26 “Fingal's Cave” | 09:52 |
2 | The Hebrides (Rehearsal) | 02:59 |
3 | La Damnation de Faust, op. 24: Marche hongroise | 04:20 |
4 | Slavonic Dance in A-flat major, op. 46 no. 3 | 04:29 |
5 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. | 07:18 |
6 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | 03:30 |
7 | La gazza ladra: Overture | 09:18 |
8 | Hungarian Dances: No. 1 in G minor | 02:54 |
9 | Hungarian Dances: No. 10 in E major | 02:01 |
10 | Aufforderung zum Tanz (orch. Berlioz: “Invitation à la valse”) | 08:24 |
1 | Götterdämmerung: Act III. Siegfried's Funeral March | 08:23 |
2 | Egmont, op. 84: Overture | 08:34 |
3 | Le nozze di Figaro, K. 492: Overture | 04:14 |
4 | Die Entführung aus dem Serail, K. 384: Overture | 04:51 |
5 | Il barbiere di Siviglia: Overture | 07:13 |
6 | Der Freischütz, op. 77: Overture | 09:46 |
7 | Der Freischütz, op. 77: Act III. Prelude | 03:21 |
8 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | 04:21 |
9 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze. Andante | 05:50 |
10 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto. Allegretto - Trio | 02:01 |
11 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | 03:01 |
12 | Die Fledermaus: Overture | 08:20 |
1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | 17:52 |
2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | 11:28 |
3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | 20:16 |
4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning | 07:02 |
5 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…” | 03:47 |
6 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”) | 03:48 |
7 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso | 06:18 |
8 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End | 04:05 |
1 | Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries) | 07:15 |
2 | Die Walküre: Act III, Scene 1. “Schützt mich und helft in höchster Not!” (Brünnhilde, Sieglinde, Walkyries) | 08:40 |
3 | Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Wotan, Brünnhilde) | 08:25 |
4 | Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Wotan, Walkyries) | 02:49 |
5 | Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde) | 09:31 |
6 | Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde) | 08:10 |
7 | Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess' ich dich” (Wotan, Brünnhilde) | 02:32 |
8 | Die Walküre: Act III, Scene 3. “Leb wohl, du kühnes, herrliches Kind!” (Wotan) | 08:07 |
9 | Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan) | 07:24 |
1 | Götterdämmerung: Prologue. Orchestra (after the Norns) | 03:22 |
2 | Götterdämmerung: Prologue. “Zu neuen Taten, teurer Helde” (Brünnhilde) | 02:45 |
3 | Götterdämmerung: Prologue. “Mehr gabst du, Wunderfrau” (Brünnhilde) | 06:21 |
4 | Götterdämmerung: Prologue. “O heilige Götter” (Brünnhilde, Siegfried) | 02:49 |
5 | Götterdämmerung: Act I, Scene 3. “Altgewohntes Geräusch” (Brünnhilde, Waltraute) | 07:49 |
6 | Götterdämmerung: Act I, Scene 3. “Höre mit Sinn, was ich dir sage!” (Waltraute) | 09:51 |
7 | Götterdämmerung: Act I, Scene 3. “Welch banger Träume Mären” (Brünnhilde, Waltraute) | 05:39 |
8 | Götterdämmerung: Act I, Scene 3. “Blitz und Gewölk” (Brünnhilde) | 03:07 |
9 | Götterdämmerung: Act I, Scene 3. “Brünnhild'! Ein Freier kam” (Brünnhilde) | 06:06 |
10 | Götterdämmerung: Act I, Scene 3. “Jetzt bist du mein” (Siegfried, Brünnhilde) | 02:50 |
1 | Götterdämmerung: Act II, Scene 4. “Heil dir, Gunther!” (chorus) | 01:27 |
2 | Götterdämmerung: Act II, Scene 4. “Brünnhild', die hehrste Frau” (Gunther, chorus) | 01:33 |
3 | Götterdämmerung: Act II, Scene 4. “Gegrüßt sei, teurer Heid” (Gunther, Siegfried, Brünnhilde, Hagen, chorus) | 03:57 |
4 | Götterdämmerung: Act II, Scene 4. “Einen Ring sah ich an deiner Hand” (Gutrune, Gunther, Siegfried, Brünnhilde, Hagen) | 02:30 |
5 | Götterdämmerung: Act II, Scene 4. “Betrug! Betrug!” (Gutrune, Gunther, Siegfried, chorus) | 05:36 |
6 | Götterdämmerung: Act II, Scene 4. “Helle Wehr! Heilige Waffe!” (Siegfried, Brünnhilde chorus) | 02:48 |
7 | Götterdämmerung: Act II, Scene 4. “Glaub, mehr zümt es mich als dich” (Siegfried) | 02:28 |
8 | Götterdämmerung: Act II, Scene 5. “Welches Unholds List” (Brünnhilde) | 03:25 |
9 | Götterdämmerung: Act II, Scene 5. “Vertraue mir, betrog' ne Frau!” (Brünnhilde, Hagen) | 03:11 |
10 | Götterdämmerung: Act II, Scene 5. “Und dort trifft ihn mein Speer!” (Brünnhilde, Hagen) | 05:28 |
11 | Götterdämmerung: Act II, Scene 5. “So soll es sein!” (Gunther, Brünnhilde, Hagen) | 02:19 |
12 | Götterdämmerung: Act III, Scene 3. “Schweigt eures Jammers jauchzenden Schwall!” (Gutrune, Brünnhilde) | 03:57 |
13 | Götterdämmerung: Act III, Scene 3. “Starke Scheite schichtet mir dort” (Brünnhilde) | 02:24 |
14 | Götterdämmerung: Act III, Scene 3. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | 02:22 |
15 | Götterdämmerung: Act III, Scene 3. “O ihr, der Eide ewige Hüter!” (Brünnhilde) | 03:46 |
16 | Götterdämmerung: Act III, Scene 3. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde) | 02:26 |
17 | Götterdämmerung: Act III, Scene 3. “Fliegt heim, ihr Raben!” (Brünnhilde) | 01:12 |
18 | Götterdämmerung: Act III, Scene 3. “Grane, mein Ross, sei mir gegrüßt!” (Brünnhilde) | 06:14 |
1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | 07:42 |
2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | 10:16 |
3 | Symphony no. 5 in C minor, op. 67: III. Allegro | 05:48 |
4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | 08:19 |
5 | Tristan und Isolde: Act I. Prelude | 11:05 |
6 | Tristan und Isolde: Act III. Isoldes Liebestod | 06:57 |
7 | Parsifal: Act I. Prelude | 14:10 |
8 | Parsifal: Act III. Karfreitagszauber | 10:47 |
1 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo | 20:07 |
2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | 08:49 |
3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | 09:16 |
4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso - Andante | 10:24 |
1 | Symphonic Concerto for Piano & Orchestra in B minor: II. Adagio solenne | 11:15 |
2 | Cavatina for String Orchestra (after String Quartet no. 13 in B-flat major, op. 130) | 08:38 |
3 | Symphony no. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam | 22:42 |
4 | Alceste: Overture | 08:21 |
1 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante | 02:23 |
2 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato | 01:21 |
3 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace | 01:04 |
4 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto | 02:06 |
5 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto | 02:59 |
6 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace | 00:56 |
7 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace | 01:26 |
8 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso | 03:47 |
9 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo | 01:04 |
10 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante | 04:03 |
11 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo | 11:26 |
12 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto | 13:58 |
13 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | 05:47 |
14 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | 03:56 |
15 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto | 09:15 |
1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | 24:06 |
2 | Violin Concerto in D major, op. 61: II. Larghetto | 10:56 |
3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler) | 10:08 |
1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | 16:05 |
2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | 17:20 |
3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace | 06:15 |
4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | 12:44 |
5 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai: first side (Take included in the first commercial release) | 05:16 |
6 | Coriolan Overture, op. 62 | 08:35 |
1 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: I. Largo. Molto allegro | 06:49 |
2 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: II. Menuetto | 05:50 |
3 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: III. Adagio | 06:27 |
4 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: IV. Menuetto. Allegretto | 03:18 |
5 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: V. Romance. Adagio | 05:29 |
6 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VI. Tema con variazioni | 08:54 |
7 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VII. Finale: Molto allegro (Rondo) | 03:27 |
1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | 14:47 |
2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | 10:37 |
3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | 05:05 |
4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo, ma con brio | 16:33 |
1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | 15:17 |
2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | 10:54 |
3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso. Quasi andantino - Presto ma non assai | 05:58 |
4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | 09:01 |
5 | Symphony no. 2 in D major, op. 73: I. 12080-1 (alternate take) | 03:08 |
6 | Symphony no. 2 in D major, op. 73: I. 12082-1 (alternate take) | 02:56 |
7 | Symphony no. 2 in D major, op. 73: II. 12083-1 (alternate take) | 03:43 |
8 | Symphony no. 2 in D major, op. 73: III. 12086-1 (alternate take) | 04:47 |
1 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet mir dort” (Brünnhilde) | 02:25 |
2 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | 02:31 |
3 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Hüter!” (Brünnhilde) | 03:46 |
4 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde) | 02:33 |
5 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde) | 01:16 |
6 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst!” (Brünnhilde) | 06:38 |
7 | The Hebrides, op. 26 “Fingal's Cave” | 10:12 |
8 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | 07:03 |
9 | Symphony no. 40 in G minor, K. 550: II. Andante | 08:31 |
10 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto | 04:27 |
11 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | 04:38 |
1 | Siegfried Idyll | 17:04 |
2 | Tannhäuser: Overture | 14:05 |
3 | Götterdämmerung: Siegfried's Rhine Journey | 11:53 |
4 | Der fliegende Holländer: Overture | 11:46 |
1 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante | 02:09 |
2 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato | 01:17 |
3 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace | 00:59 |
4 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto | 02:07 |
5 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto | 02:46 |
6 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace | 00:53 |
7 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace | 01:22 |
8 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso | 03:17 |
9 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo | 00:58 |
10 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante | 03:56 |
11 | Die Walküre: Act III. Ride of the Walkyries | 05:20 |
12 | La Damnation de Faust, op. 24: Marche hongroise | 04:28 |
13 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | 04:21 |
14 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze - Andante | 04:49 |
15 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto - Allegretto | 02:12 |
16 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo - Allegro | 03:06 |
17 | Hungarian Dances: No. 1 in G major | 03:07 |
18 | Hungarian Dances: No. 3 in F major | 02:32 |
19 | Hungarian Dances: No. 10 in E major | 01:54 |
20 | Die Meistersinger von Nürnberg: Act I. Prelude | 09:44 |
21 | Die Meistersinger von Nürnberg: Act III. Dance of the Apprentices | 02:45 |
1 | Lohengrin: Act I. Prelude | 09:09 |
2 | Violin Concerto in D major, op. 77: I. Allegro non troppo | 22:02 |
3 | Violin Concerto in D major, op. 77: II. Adagio | 09:53 |
4 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | 08:04 |
1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | 12:58 |
2 | Symphony no. 7 in A major, op. 92: II. Allegretto | 10:16 |
3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | 08:39 |
4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | 07:02 |
5 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | 11:30 |
6 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | 12:09 |
1 | Death and Transfiguration, op. 24 | 24:23 |
2 | Kaiser-Walzer, op. 437 | 09:35 |
3 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | 10:53 |
4 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | 12:17 |
5 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro | 05:55 |
6 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | 07:24 |
1 | Götterdämmerung: Act III. Siegfried's Funeral March | 08:41 |
2 | Die Meistersinger von Nürnberg: Act III. Prelude | 06:37 |
3 | Oberon, J. 306: Overture | 10:01 |
4 | Rosamunde: Entracte no. 3 | 04:52 |
5 | Rosamunde: Ballet music no. 2 | 04:59 |
6 | Serenade in C major, op. 48: II. Valse: Moderato | 04:21 |
7 | Serenade in C major, op. 48: IV. Finale: Tema russo | 07:52 |
8 | Pizzicato Polka (with glockenspiel) | 02:51 |
9 | Pizzicato Polka (without glockenspiel) | 02:46 |
10 | Die Zauberflöte (Arias of the Queen of the Night): Act I. “O zittre nicht, mein lieber Sohn!” | 04:42 |
11 | Die Zauberflöte (Arias of the Queen of the Night): Act II. “Der Hölle Rache” | 02:59 |
1 | Rosamunde: Overture | 10:44 |
2 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | 19:18 |
3 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | 10:19 |
4 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato, allegro | 05:56 |
5 | Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco | 09:20 |
6 | Anacréon: Overture | 09:42 |
1 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio - Allegro | 07:06 |
2 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante | 07:46 |
3 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet - Allegro - Trio - Menuet | 04:06 |
4 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale: Vivace | 04:01 |
5 | The Merry Wives of Windsor: Overture | 08:41 |
6 | Manfred, op. 115: Overture | 12:25 |
7 | Má Vlast: No. 2. Vltava “The Moldau” | 12:35 |
1 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | 20:44 |
2 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio, un poco mosso | 07:51 |
3 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo (Allegro) | 10:28 |
4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | 12:32 |
5 | Violin Concerto in E minor, op. 64: II. Andante | 07:50 |
6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | 06:45 |
1 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | 01:11 |
2 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | 17:47 |
3 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | 00:55 |
4 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | 11:59 |
5 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | 00:34 |
6 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | 19:39 |
7 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning | 06:59 |
8 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…” | 03:51 |
9 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”) | 04:00 |
10 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso | 05:59 |
11 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End and applause | 04:19 |
1 | Symphony no. 9 in C major, D. 944 “The Great”: I. Andante - Allegro ma non troppo | 14:41 |
2 | Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto | 17:16 |
3 | Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo: Allegro vivace | 11:15 |
4 | Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale: Allegro vivace | 11:42 |
5 | Symphony no. 2 in E minor: I. Assai moderato | 24:34 |
1 | Symphony no. 2 in E minor: II. Andante simplice | 12:42 |
2 | Symphony no. 2 in E minor: III. Allegro - Moderato - Allegro | 16:21 |
3 | Symphony no. 2 in E minor: IV. Langsam - Moderato andante | 28:44 |
4 | Symphony no. 88 in G major, Hob. I:88: I. Allegro | 06:52 |
5 | Symphony no. 88 in G major, Hob. I:88: II. Largo | 06:19 |
6 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto | 04:21 |
7 | Symphony no. 88 in G major, Hob. I:88: IV. Allegro con spirito | 03:38 |
1 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet dort” (Brünnhilde) | 02:31 |
2 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | 02:29 |
3 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Huter!” (Brünnhilde) | 03:46 |
4 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm'ich zu eigen” (Brünnhilde) | 02:51 |
5 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde) | 01:20 |
6 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst” (Brünnhilde) | 06:52 |
7 | Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht | 04:18 |
8 | Lieder eines fahrenden Gesellen: II. Ging heut' Morgen übers Feld | 04:49 |
9 | Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer | 03:31 |
10 | Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen | 05:52 |
1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | 07:57 |
2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | 07:24 |
3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | 03:52 |
4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | 06:27 |
5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo | 11:55 |
6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto | 13:26 |
7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | 05:58 |
8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | 04:08 |
9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto | 09:23 |
1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | 16:11 |
2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | 17:22 |
3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace | 06:30 |
4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | 12:17 |
1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | 10:39 |
2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | 11:49 |
3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro | 05:58 |
4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | 07:37 |
5 | Tannhäuser: Overture | 13:56 |
1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | 24:01 |
2 | Violin Concerto in D major, op. 61: II. Larghetto | 09:41 |
3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler) | 10:31 |
4 | Romance no. 1 in G major, op. 40 | 07:39 |
5 | Romance no. 2 in F major, op. 50 | 09:38 |
1 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | 11:51 |
2 | Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam | 05:22 |
3 | Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Etwas zurückhaltend | 05:57 |
4 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | 08:05 |
5 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | 18:13 |
6 | Symphony in D minor, FWV 48: II. Allegretto | 10:34 |
7 | Symphony in D minor, FWV 48: III. Allegro non troppo | 10:44 |
1 | Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo | 16:01 |
2 | Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo | 10:02 |
3 | Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto | 11:40 |
1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | 08:39 |
2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | 11:22 |
3 | Symphony no. 5 in C minor, op. 67: III. Allegro | 06:03 |
4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | 09:49 |
1 | Götterdämmerung: Act III. Siegfried's Funeral March | 09:17 |
2 | Götterdämmerung: Prologue. Siegfried's Rhine Journey | 12:01 |
3 | Don Juan, op. 20 | 18:42 |
4 | Till Eulenspiegels lustige Streiche, op. 28 | 16:13 |
5 | Les Préludes, S. 97 | 15:40 |
1 | Lohengrin: Act I. Prelude | 09:57 |
2 | Der Freischütz, op. 77: Overture | 10:48 |
3 | Euryanthe, op. 81: Overture | 09:32 |
4 | Alceste: Overture | 08:53 |
5 | Iphigénie en Aulide: Overture | 10:15 |
6 | Leonore Overture no. 2, op. 72a | 15:58 |
1 | Matthäus-Passion, BWV 244: First Part. Hall ambience | 01:12 |
2 | Matthäus-Passion, BWV 244: First Part. No. 1 Chorus: “Kommt ihr Töchter” (chorus) | 08:14 |
3 | Matthäus-Passion, BWV 244: First Part. No. 2 Recitative: “Da Jesus diese Rede vollendat hatte” (Evangelist, Jesus) | 00:54 |
4 | Matthäus-Passion, BWV 244: First Part. No. 3 Chorus: “Herzliebster Jesu” (chorus) | 01:40 |
5 | Matthäus-Passion, BWV 244: First Part. No. 4 Recitative: “Da versammeleten sich die Hohepriester” (Evangelist) | 00:32 |
6 | Matthäus-Passion, BWV 244: First Part. No. 5 Chorus: “Ja nicht auf das Fest” (chorus) | 00:17 |
7 | Matthäus-Passion, BWV 244: First Part. No. 6 Recitative: “Da nun Jesus war zu Bethanien” (Evangelist) | 00:38 |
8 | Matthäus-Passion, BWV 244: First Part. No. 7 Chorus: “Wozu dienet dieser Unrat?” (chorus) | 00:37 |
9 | Matthäus-Passion, BWV 244: First Part. No. 8 Recitative: “Da das Jesus merkete, sprach er zu ihnen” (Evangelist, Jesus) | 01:57 |
10 | Matthäus-Passion, BWV 244: First Part. No. 9 Arioso: “Du lieber Heiland du” (alto) | 01:24 |
11 | Matthäus-Passion, BWV 244: First Part. No. 10 Aria: “Buß und Reu” (alto) | 05:18 |
12 | Matthäus-Passion, BWV 244: First Part. No. 11 Recitative: “Da ging hin der Zwölfen einer” (Evangelist, Judas) | 00:43 |
13 | Matthäus-Passion, BWV 244: First Part. No. 12 Aria: “Blute nur, du liebes Herz!” (soprano) | 05:40 |
14 | Matthäus-Passion, BWV 244: First Part. No. 13 Recitative: “Aber am ersten Tage der süßen Brot” (Evangelist, chorus) | 00:16 |
15 | Matthäus-Passion, BWV 244: First Part. No. 14 Chorus: “Wo willst du, dass wir dir bereiten” (chorus) | 00:28 |
16 | Matthäus-Passion, BWV 244: First Part. No. 15 Recitative: “Er sprach” (Evangelist, Jesus, chorus) | 02:01 |
17 | Matthäus-Passion, BWV 244: First Part. No. 16 Chorus: “Ich bin's, ich sollte büßen” (chorus) | 01:31 |
18 | Matthäus-Passion, BWV 244: First Part. No. 17 Recitative: “Er antwortete und sprach” (Evangelist, Jesus, Judas) | 04:09 |
19 | Matthäus-Passion, BWV 244: First Part. No. 18 Recitative: “Wiewohl mein Herz in Tränen schwimmt” (soprano) | 01:53 |
20 | Matthäus-Passion, BWV 244: First Part. No. 20 Recitative: “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus) | 01:32 |
21 | Matthäus-Passion, BWV 244: First Part. No. 21 Chorus: “Erkenne mich, mein Hüter” (chorus) | 01:56 |
22 | Matthäus-Passion, BWV 244: First Part. No. 22 Recitative: “Petrus aber antwortete und sprach zu ihm” (Evangelist, Jesus, Peter) | 01:18 |
23 | Matthäus-Passion, BWV 244: First Part. No. 24 Recitative: “Da kam Jesus mit ihnen zu einem Hofe” (Evangelist, Jesus) | 02:12 |
24 | Matthäus-Passion, BWV 244: First Part. No. 25 Recitative: “O Schmerz” (Evangelist, chorus) | 03:07 |
25 | Matthäus-Passion, BWV 244: First Part. No. 26 Aria: “Ich will bei meinem Jesu wachen” (tenor, chorus) | 06:24 |
26 | Matthäus-Passion, BWV 244: First Part. No. 27 Recitative: “Und ging hin ein wenig” (Evangelist, Jesus) | 00:57 |
27 | Matthäus-Passion, BWV 244: First Part. No. 28 Recitative: “Der Heiland fällt vor seinem Vater nieder” (bass) | 01:33 |
28 | Matthäus-Passion, BWV 244: First Part. No. 30 Recitative: “Und er kam zu seinen Jüngern” (Evangelist, Jesus) | 01:36 |
29 | Matthäus-Passion, BWV 244: First Part. No. 31 Chorus: “Was mein Gott will, das g'scheh allzeit” (chorus) | 02:03 |
30 | Matthäus-Passion, BWV 244: First Part. No. 32 Recitative: “Da kam er zu seinen Jüngern und sprach” (Evangelist, Jesus, Judas) | 02:41 |
31 | Matthäus-Passion, BWV 244: First Part. No. 33 Duo: “So ist mein Jesus nun gefangen” (soprano, alto, chorus) | 04:43 |
32 | Matthäus-Passion, BWV 244: First Part. No. 34 Recitative: “Zu der Stund sprach Jesus zu den Scharen” (Evangelist, Jesus) | 01:21 |
33 | Matthäus-Passion, BWV 244: First Part. No. 35 Chorus: “O Mensch, bewein dein Sünde groß” (chorus) | 08:27 |
1 | Matthäus-Passion, BWV 244: Second Part. No. 36 Aria: “Ach! nun ist mein Jesus hin!” (alto, chorus) | 05:47 |
2 | Matthäus-Passion, BWV 244: Second Part. No. 37 Recitative: “Die aber Jesum gegriffen hatten” (Evangelist) | 00:42 |
3 | Matthäus-Passion, BWV 244: Second Part. No. 39 Recitative: “Und der Hohepriester stund auf und sprach zu ihm” (Evangelist, High Priest) | 00:36 |
4 | Matthäus-Passion, BWV 244: Second Part. No. 42 Recitative: “Und der Hohepriester antwortete und sprach zu ihm” (Evangelist, Jesus, High Priest) | 01:52 |
5 | Matthäus-Passion, BWV 244: Second Part. No. 43 Recitative: “Da speieten sie aus in sein Angesicht” (Evangelist, chorus) | 00:47 |
6 | Matthäus-Passion, BWV 244: Second Part. No. 44 Chorus: “Wer hat dich so geschlagen” (chorus) | 01:43 |
7 | Matthäus-Passion, BWV 244: Second Part. No. 45 Recitative: “Petrus aber saß draußen im Palast” (Evangelist, First and second Maid) | 01:21 |
8 | Matthäus-Passion, BWV 244: Second Part. No. 46 Recitative: “Da hub er an, sich zu verfluchen und zu schwören” (Evangelist, Peter) | 01:35 |
9 | Matthäus-Passion, BWV 244: Second Part. No. 47 Aria: “Erbarme dich” (alto) | 09:00 |
10 | Matthäus-Passion, BWV 244: Second Part. No. 52 Recitative: “Jesus aber stund vor dem Landpfleger” (Evangelist, Jesus, Pilate) | 01:06 |
11 | Matthäus-Passion, BWV 244: Second Part. No. 53 Chorus: “Befiehl du deine Wege” (chorus) | 02:00 |
12 | Matthäus-Passion, BWV 244: Second Part. No. 54 Recitative: “Auf das Fest aber hatte der Landpfleger Gewohnheit” (Evangelist, Jesus, Pilate, Pilate's wife) | 02:52 |
13 | Matthäus-Passion, BWV 244: Second Part. No. 56 Recitative: “Der Landpfleger sagte” (Evangelist, Pilate) | 00:14 |
14 | Matthäus-Passion, BWV 244: Second Part. No. 57 Recitative: “Er hat uns allen wohlgetan” (soprano) | 01:42 |
15 | Matthäus-Passion, BWV 244: Second Part. No. 58 Aria: “Aus Liebe will mein Heiland sterben” (soprano) | 05:11 |
16 | Matthäus-Passion, BWV 244: Second Part. No. 59 Recitative: “Sie schrieen aber noch mehr und sprachen” (Evangelist, Pilate, chorus) | 02:21 |
17 | Matthäus-Passion, BWV 244: Second Part. No. 60 Recitative: “Erbarm es Gott!” (alto) | 01:46 |
18 | Matthäus-Passion, BWV 244: Second Part. No. 62 Recitative: “Da nahmen die Kriegsknechte des Landpflegers” (Evangelist, chorus) | 01:23 |
19 | Matthäus-Passion, BWV 244: Second Part. No. 63 Chorus: “O Haupt voll Blut und Wunden” (chorus) | 02:19 |
1 | Matthäus-Passion, BWV 244: Second Part. No. 64 Recitative: “Und da sie ihn verspottet hatten” (Evangelist) | 01:00 |
2 | Matthäus-Passion, BWV 244: Second Part. No. 65 Recitative: “Ja freilich will in uns das Fleisch und Blut” (bass) | 00:46 |
3 | Matthäus-Passion, BWV 244: Second Part. No. 66 Aria: “Komm, süßes Kreuz” (bass) | 09:23 |
4 | Matthäus-Passion, BWV 244: Second Part. No. 67 Recitative: “Und da wurden zween Mörder” (Evangelist, chorus) | 02:21 |
5 | Matthäus-Passion, BWV 244: Second Part. No. 68 Recitative: “Desgleichen schmäheten ihn auch die Mörder” (Evangelist) | 00:15 |
6 | Matthäus-Passion, BWV 244: Second Part. No. 69 Recitative: “Golgatha, unselges Golgatha!” (alto) | 02:33 |
7 | Matthäus-Passion, BWV 244: Second Part. No. 71 “Und von der sechsten Stunde an” (Evangelist, Jesus, chorus) | 02:50 |
8 | Matthäus-Passion, BWV 244: Second Part. No. 72 Chorus: “Wenn ich einmal soll scheiden” (chorus) | 02:34 |
9 | Matthäus-Passion, BWV 244: Second Part. No. 73 Recitative: “Und siehe da” (Evangelist, chorus) | 02:50 |
10 | Matthäus-Passion, BWV 244: Second Part. No. 74 Recitative: “Am Abend, da es kühle war” (bass) | 02:37 |
11 | Matthäus-Passion, BWV 244: Second Part. No. 76 Recitative: “Und Joseph nahm den Leib” (Evangelist) | 00:39 |
12 | Matthäus-Passion, BWV 244: Second Part. No. 77 Recitative: “Nun ist der Herr zur Ruh gebracht” (soprano, alto, tenor, bass, chorus) | 02:40 |
13 | Matthäus-Passion, BWV 244: Second Part. No. 78 Chorus: “Wir setzen uns mit Tränen nieder” (chorus) | 08:33 |
1 | Tristan und Isolde: Act I. Prelude | 11:04 |
2 | Tristan und Isolde: Act I, Scene 1. “Westwärts schweift der Blick” (Seeman, Isolde, Brangäne) | 06:17 |
3 | Tristan und Isolde: Act I, Scene 2. “Frisch weht er Wind der Heimat zu” (Seeman, Isolde, Brangäne, Tristan, Kurwenal) | 10:21 |
4 | Tristan und Isolde: Act I, Scene 3. “Weh, ach wehe! Dies zu dulden!” (Isolde, Brangäne) | 09:20 |
5 | Tristan und Isolde: Act I, Scene 3. “Da Friede, Sühn' und Freundschaft” (Isolde, Brangäne, chorus) | 12:32 |
6 | Tristan und Isolde: Act I, Scene 4. “Auf! Auf! Ihr Frauen!” (Kurwenal, Isolde, Brangäne) | 07:55 |
7 | Tristan und Isolde: Act I, Scene 5. “Herr Tristan trete nah!” (Tristan, Isolde) | 09:39 |
8 | Tristan und Isolde: Act I, Scene 5. “War Morold dir so wert” (Tristan, Isolde, chorus) | 11:25 |
1 | Tristan und Isolde: Act I, Scene 5. “Tristan! Isolde!” (Tristan, Isolde, Kurwenal, Brangäne, chorus) | 07:36 |
2 | Tristan und Isolde: Act II. Prelude | 02:44 |
3 | Tristan und Isolde: Act II, Scene 1. “Hörst du sie noch?” (Isolde, Brangäne) | 12:36 |
4 | Tristan und Isolde: Act II, Scene 2. “Isolde! Geliebte!…” (Tristan, Isolde) | 10:24 |
5 | Tristan und Isolde: Act II, Scene 2. “O eitler Tagesknecht” (Tristan, Isolde) | 09:30 |
6 | Tristan und Isolde: Act II, Scene 2. “O sink hernieder, Nacht der Liebe” (Tristan, Isolde) | 05:49 |
7 | Tristan und Isolde: Act II, Scene 2. “Einsam wachend in der Nacht” (Brangäne) | 03:27 |
8 | Tristan und Isolde: Act II, Scene 2. “Lausch, Geliebter!” (Tristan, Isolde) | 07:57 |
9 | Tristan und Isolde: Act II, Scene 2. “So starben wir, um ungetrennt” (Tristan, Isolde, Brangäne) | 08:42 |
10 | Tristan und Isolde: Act II, Scene 3. “Rette dich, Tristan!” (Tristan, Kurwenal, Melot) | 02:10 |
1 | Tristan und Isolde: Act II, Scene 3. “Tatest du's wirklich?” (Marke, Tristan) | 07:52 |
2 | Tristan und Isolde: Act II, Scene 3. “Dies wundervolle Weib” (Marke, Tristan) | 06:12 |
3 | Tristan und Isolde: Act II, Scene 3. “O König, dass kannich dir nicht sagen” (Tristan, Isolde, Melot) | 10:06 |
4 | Tristan und Isolde: Act III. Prelude | 07:22 |
5 | Tristan und Isolde: Act III, Scene 1. “Kurwenal! He! Sag, Kurwenal!” (Ein Hirt, Kurwenal, Tristan) | 10:54 |
6 | Tristan und Isolde: Act III, Scene 1. “Dünkt dich das? Ich weiß es anders” (Kurwenal, Tristan) | 11:05 |
7 | Tristan und Isolde: Act III, Scene 1. “Isolde kommt!” (Tristan) | 03:23 |
8 | Tristan und Isolde: Act III, Scene 1. “Noch ist kein Schiff zu sehn!” (Kurwenal, Tristan) | 11:19 |
9 | Tristan und Isolde: Act III, Scene 1. “Meine Herre! Tristan!” (Kurwenal, Tristan) | 08:35 |
1 | Tristan und Isolde: Act III, Scene 1. “O Wonne! Freunde!” (Tristan, Isolde) | 03:30 |
2 | Tristan und Isolde: Act III, Scene 2. “O diese Sonne!” (Tristan, Isolde) | 03:51 |
3 | Tristan und Isolde: Act III, Scene 3. “Ich bin's, ich bin's” (Isolde) | 06:28 |
4 | Tristan und Isolde: Act III, Scene 3. “Kurwenal! Hör! Ein zweites Schiff” (Kurwenal, Ein Hirt, Ein Steuermann, Melot, Brangäne, Marke) | 09:49 |
5 | Tristan und Isolde: Act III, Scene 3. “Mild und leise wie es lächelt” (Isolde) | 07:15 |
1 | Fidelio, op. 72: Act I. Overture | 06:38 |
2 | Fidelio, op. 72: Act I. Duet: “Jetzt, Schätzchen, sind wir allein” (Jaquino, Marzelline) | 05:13 |
3 | Fidelio, op. 72: Act I. Aria: “O wär'ich schon mit dir vereint” (Marzelline) | 04:44 |
4 | Fidelio, op. 72: Act I. Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Jaquino, Rocco) | 04:48 |
5 | Fidelio, op. 72: Act I. Aria: “Hat man nicht auch Gold beineben” (Rocco) | 03:01 |
6 | Fidelio, op. 72: Act I. Trio: “Gut, Söhnchen, gut” (Marzelline, Leonore, Rocco) | 07:23 |
7 | Fidelio, op. 72: Act I. March | 02:16 |
8 | Fidelio, op. 72: Act I. Aria: “Ha! Welch ein Augenblick!” (Pizarro, chorus) | 03:24 |
9 | Fidelio, op. 72: Act I. Duet: “Jetzt, Alter” (Pizarro, chorus) | 04:59 |
10 | Fidelio, op. 72: Act I. Recitative and aria: “Abscheulicher!” (Leonore) | 07:59 |
11 | Fidelio, op. 72: Act I, Finale. “O welche Lust” (chorus, 1st Prisoner, 2nd Prisoner) | 07:25 |
12 | Fidelio, op. 72: Act I, Finale. “Nun sprecht, wie ging's” (Leonore, Rocco) | 06:00 |
13 | Fidelio, op. 72: Act I, Finale. “Ach, Vater, Vater eilt” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus) | 02:45 |
14 | Fidelio, op. 72: Act I, Finale. “Leb'wohl, du warmest Sonnenlicht” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus) | 04:47 |
1 | Fidelio, op. 72: Act II. Introduction | 04:05 |
2 | Fidelio, op. 72: Act II. Aria: “Gott, welch Dunkel hier!” (Florestan) | 07:31 |
3 | Fidelio, op. 72: Act II. Melodram: “Wie kalt ist es” (Leonore, Rocco) | 02:15 |
4 | Fidelio, op. 72: Act II. Duet: “Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco) | 04:40 |
5 | Fidelio, op. 72: Act II. Trio: “Euch werde Lohn in bessern Welten” (Leonore, Florestan, Rocco) | 06:42 |
6 | Fidelio, op. 72: Act II. Quartet: “Er sterbe!” (Leonore, Florestan, Pizarro, Rocco, Jaquino) | 05:22 |
7 | Fidelio, op. 72: Act II. Duet: “O namenlose Freude!” (Leonore, Florestan) | 02:48 |
8 | Fidelio, op. 72: Act II. Leonore Overture no. 3 | 15:19 |
9 | Fidelio, op. 72: Act II. Finale: “Heil sei dem Tag!” (chorus) | 02:00 |
10 | Fidelio, op. 72: Act II. Finale: “Des besten Königs Wink und Wille” (Don Fernando, Leonore, Marzelline, Pizarro, Rocco, chorus) | 04:43 |
11 | Fidelio, op. 72: Act II. Finale: “O Gott! Welch'ein Augenblick!” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus) | 03:01 |
12 | Fidelio, op. 72: Act II. Finale: “Wer ein holdes Weib errungen” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus) | 04:03 |
1 | Die Walküre: Act I. Prelude | 03:56 |
2 | Die Walküre: Act I, Scene 1. “Was Herd dies auch sei” (Siegmund, Sieglinde) | 09:32 |
3 | Die Walküre: Act I, Scene 1. “Einen Unseligen labtest du” (Siegmund, Sieglinde) | 03:57 |
4 | Die Walküre: Act I, Scene 2. “Müde am Herd fand ich den Mann” (Siegmund, Sieglinde, Hunding) | 10:15 |
5 | Die Walküre: Act I, Scene 2. “Die so leidig Los dir beschied” (Siegmund, Sieglinde, Hunding) | 10:19 |
6 | Die Walküre: Act I, Scene 3. “Ein Schwert verhiess mir der Vater” (Siegmund) | 06:13 |
7 | Die Walküre: Act I, Scene 3. “Schläfst du, Gast?” (Siegmund, Sieglinde) | 06:54 |
8 | Die Walküre: Act I, Scene 3. “Winterstürme wichen dem Wonnemond” (Siegmund, Sieglinde) | 10:13 |
9 | Die Walküre: Act I, Scene 3. “Wehwalt heisst du fürwahr?” (Siegmund, Sieglinde) | 05:13 |
1 | Die Walküre: Act II. Prelude | 02:04 |
2 | Die Walküre: Act II, Scene 1. “Nun zaüme dein Ross, reisige Maid!” (Wotan, Brünnhilde) | 02:53 |
3 | Die Walküre: Act II, Scene 1. “Der alte Sturm, die alte Müh” (Wotan, Fricka) | 10:22 |
4 | Die Walküre: Act II, Scene 1. “Siegmund gewann es sich selbst in der Not” (Wotan, Fricka) | 07:35 |
5 | Die Walküre: Act II, Scene 2. “Schlimm, fürcht' ich, schloss der Streit” (Wotan, Brünnhilde) | 10:03 |
6 | Die Walküre: Act II, Scene 2. “Ein andres ist's” (Wotan, Brünnhilde) | 10:56 |
7 | Die Walküre: Act II, Scene 2. “O sag, künde, was soll nun dein Kind?” (Wotan, Brünnhilde) | 07:33 |
8 | Die Walküre: Act II, Scene 3. “Raste nun hier; gönne dir Ruh'!” (Siegmund, Sieglinde) | 11:47 |
1 | Die Walküre: Act II, Scene 4. “Siegmund! Sieh auf mich” (Siegmund, Brünnhilde) | 09:39 |
2 | Die Walküre: Act II, Scene 4. “So grüsse mir Walhall” (Siegmund, Brünnhilde) | 10:35 |
3 | Die Walküre: Act II, Scene 5. “Zauberfest bezähmt ein Schlaf” (Siegmund, Sieglinde, Brünnhilde, Hunding, Wotan) | 09:14 |
1 | Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries) | 08:06 |
2 | Die Walküre: Act III, Scene 1. “Schützt mich, und helft in höchster Not!” (Walkyries, Brünnhilde, Sieglinde) | 10:04 |
3 | Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Walkyries, Brünnhilde, Wotan) | 09:56 |
4 | Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Walkyries, Brünnhilde, Wotan) | 03:25 |
5 | Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde) | 10:12 |
6 | Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde) | 09:27 |
7 | Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess ich dich” (Wotan, Brünnhilde) | 02:54 |
8 | Die Walküre: Act III, Scene 3. “Lebwohl, du kühnes, herrliches Kind!” (Wotan) | 08:01 |
9 | Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan) | 07:39 |
1 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | 11:46 |
2 | Symphony no. 8 in B minor, D. 759 “Unfinished”: Hall ambience | 00:48 |
3 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | 12:12 |
4 | Kaiser-Walzer, op. 437 (Play-through - test recording) | 10:23 |
5 | Götterdämmerung: Act III. Siegfried's Funeral March (Play-through - test recording) | 08:42 |
6 | Rosamunde: Entracte no. 3 (Play-through - test recording in the Grosser Saal, Musikverein) | 05:12 |
7 | Rosamunde: Entracte no. 3 (Single take made in the Grosser Saal, Musikverein) | 04:48 |
8 | Serenade in C major, op. 48: III. Elegia (Elegy). Larghetto elegiaco (Play-through - test recording) | 09:02 |
9 | Tuning, buzzers and false starts | 04:38 |
1 | Wilhelm Furtwängler - A Memoir: Introduction - Overview | 03:49 |
2 | Wilhelm Furtwängler - A Memoir: Berlin, 1930s | 04:37 |
3 | Wilhelm Furtwängler - A Memoir: Conducting Technique | 04:07 |
4 | Wilhelm Furtwängler - A Memoir: Europe, 1940s | 06:28 |
5 | Wilhelm Furtwängler - A Memoir: Demands in Rehearsal | 03:56 |
6 | Wilhelm Furtwängler - A Memoir: Philharmonia Orchestra - Methods, Impact and Results | 13:46 |
7 | Wilhelm Furtwängler - A Memoir: Artistic Relationships with Soloists | 06:51 |
8 | Wilhelm Furtwängler - A Memoir: Orchestra Balancing and Recording | 01:49 |
9 | Wilhelm Furtwängler - A Memoir: Vulnerability and Insecurity | 06:24 |
10 | Wilhelm Furtwängler - A Memoir: Final appearances | 04:05 |